Tag Archive | DC Comics

Recommended Reading: DC Comics’ Earth One books

earth-one

I finally picked up a copy of 2012′s Superman: Earth One over the weekend at a local used media shop called McKay. I had already read through last year’s Batman: Earth One and enjoyed it. I figured with both on my shelf, now’s a good opportunity to discuss them with the blogging world.

In 2010, DC Comics began a new series of ongoing graphic novels called Earth One, which retells and reimagines the beginnings of classic heroes. If you know Marvel’s Ultimate line – started over a decade ago with Ultimate Spider-Man – then you’re familiar with the concept. The first was Superman in 2010, followed by Batman in 2012.

One special thing about these books is that they are published straight to hardcover book form. No monthly single issues. While I wouldn’t want all of my comics switched from monthly releases to yearly bound collections, I think it’s a good release format for several stories such as these.

Stand-alone miniseries like these don’t need a six-issue run when they can go straight to a collected release. If they get canned, at least what’s produced are still complete stories, instead of stopping a monthly title in the middle. Few things are worse in reading than starting a series that ends up canceled halfway through. If they’re a hit, then you make more (Superman: Earth One was a hit and already has a second volume that was also released in 2012).

Plus, only being released every year or two will help the Earth One cannon from becoming too convoluted. On that front, Marvel’s Ultimate line is coming dangerously close to being as crowded as Marvel proper.

To the books at hand though. I’ll start with Superman: Earth One.

Superman: Earth One

The book is written by J. Michael Straczynski, of Babylon 5 and Amazing Spider-Man fame, and drawn by Shane Davis. It tells of Clark Kent’s arrival in Metropolis to find what to do with himself, lost and aimless like many other early 20-year-olds. As both he and we find, part of the answer to that journey is to put on the classic blue and reds and become Superman. It’s a good piece to show the human side of the character, to help make Superman relatable. He’s afraid of going public with his abilities, of choosing to be an outcast just as he’s gotten good at fitting in.

I like this characterization of Superman, seeing the more human side of him. Superman is a hard character to crack, because he can do anything the plot calls for. In general, I prefer Clark Kent stories.

We also get reintroduced to the Daily Planet gang – Lois Lane, Jimmy Olsen, and editor-in-chief Perry White. They’re mostly the same as expected, expanding on working at a newspaper in the era of declining print. I always like seeing more of the newspaper side of the Superman story, and this delivers. The book even includes a very ethically-questionable Superman interview by Clark Kent (whoever did he snag that one?) as an extra at the end.

The only knock I’ll give the book is a forgettable villain. Straczynski creates a nemesis names Tyrell from a planet neighboring Superman’s home world of Krypton. His people have been at war with Krypton for years, and here he comes chasing down the last survivor 20 years later. Being from the same solar system, he has almost identical abilities as Superman. Ultimately though, he has no real motive other than being a soldier carrying out his duty, and his defeat hardly feels satisfying. I don’t want this to be taken to mean that Straczynski and crew must pull from the tried and true rogues gallery, or else we’ll get the already-played-out likes of Lex Luthor and Zod. I’m fine with original villains (as Batman proves further down), but they need to work for their respect.

Batman: Earth One

Now, Batman: Earth One, by Geoff Johns and art by Gary Frank. Like the Superman one, this is the beginning of Batman. The Waynes are killed. Little Bruce sees it and swears vengeance. Jump to to the future, annnnnd Batman! Right off the bat (hehe), the first departure from DC proper is the eyes. You can see them through the mask, as opposed to the usual blank white eyelets that obscure the eyes of the man within the mask. It shows that this Batman is more human than the almost-superhuman machine that is the typical DC Comics Batman. He makes mistakes and gets the crap beat out of him, but ultimately, Bruce finds the Batman within himself.

The more intriguing aspect of this book is the Gordon/Bullock relationship. Two detectives who couldn’t be any more different, and not in the ways you’d expect. The culmination of them and eventually Batman in Arkham Asylum is a thrilling scene where Batman starts coming out on top as the hero he will eventually become. The villain in this scene, the original Birthday Boy, is a pretty sadistic sort, as Bullock finds out first hand.

This one’s down side depends on how attached you are to your expectations of the characters. This Bruce Wayne, this Batman, is more naive and vulnerable than even those of other Batman’s beginning tales. Take Frank Miller’s Batman: Year One, for example. Bruce Wayne may get knocked around and make mistakes, but he’s still filled with conviction and certainty of his mission. This Bruce Wayne, however, has a steeper learning curve and takes a bit longer to recover when he gets knocked down.

Also a more controversial part of the story where someone kills a bad guy to save Batman may not jive well with some, as it may imply that Batman can’t do what he does without a gun and a death at times.

Overall with both books, despite not being perfect, I recommend them. For new readers, they’re good stand-alone stories, and if you like what’s in them, you should like the mainstay DC Comics titles too. Old readers will enjoy the break from ongoing stories to have a stand-alone tale they don’t have to invest months and months in.

DC thinks both books are worthwhile too. Superman: Earth One already has a second volume that was released in later 2012. Batman gets his sequel later this year. Supposedly, we’re getting Grant Morrison’s version of Wonder Woman: Earth One sometime soon as well. I hope this line continues for a while and lives up to the promise within these first two books.

What comic books would you recommend to fans of Superman or Batman?

DC’s New 52 Trailers Fail to Sell?

Here we have the extended promotional trailer for DC Comic’s New 52 initiative, where they reboot or create 52 titles in September. I’ve blogged about this before, but I find myself becoming less optimistic that this cheap gimmick will continue the stories I’ve been caring about lately or create anything that actually means something and lasts through the next eventual Crisis.

Does any of this sell you on DC Comics though? Do these trailers or any of the news you’ve heard made you care in the slightest? Is DC seeming to be achieving their goal in attracting a new audience, or do you seeing this falling on its face?

Maybe I’m just bringing my own biases into this, but I don’t see anything in this trailer selling the New 52 initiative. It’s familiar superheroes (mostly familiar with Superman in a tee shirt) beating up people and things. The shorter TV commercial is even less enticing. What’s new? What is the selling point of getting new and fallen-out readers to these books?

New books at #1 isn’t an irregular thing. Marvel essentially did the same thing with The Mighty Thor #1 and Captain America #1, yet these are not restarts or even soft reboots. These are new volumes, picking up at a fresh story for new readers while still embracing everything that has happened even within the previous issue of the last volume.

So why should I care, DC? Especially since you’ve screwed around with the Batman bits I was really digging, such as Dick and Bruce co-existing as Batman and Bruce Batman’s nifty new suit with the Bat signal chest. Why should I care? Why should the new and the old care? And why isn’t THAT in your trailers and commercials?

The real sticking point though is that DC pulls a quote from the New York Times to promote their initiative as being “audacious.” Let’s look at that for a moment.

Audacious:

1) Showing a willingness to take surprisingly bold risks
2) Showing an impudent lack of respect

Yeah, that fits.

Struggle to Understand Grant Morrison’s Accent on HULU

The 2010 documentary covering comic writer/auteur Grant Morrison, complete with interviews with other noted comic industry names as well as the thickly-accented Scotsman himself, is now completely available on HULU. Click the image or this link to watch.

If you want to see if it’s worth your time, give a quick read through to my November 2010 review at CineGeek.com.

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DC’s 52 Title Pick-Up

The world was set ablaze earlier this month when DC Comics announced that they would be restarting or debuting 52 titles this September. Finally, with the announcement of Grant Morrison tackling the perennial super hero title Action Comics, the world now knows what books to expect this fall.

(Click here for Comic Book Resources complete list of new DC titles this fall, with creative teams and plot  synopses.)

Restarts of long-running ongoing titles seem silly to me, simply a cheap marketing gimmick. So do revamps simply for the sake of revamps and for other reason. These first issues may be a good starting point for new readers, but they’ll be inconvenient or annoying interruptions for current ones. Not to mention that restarting a book for new readers is only a temporary fix, as the titles will become convoluted and impenetrable again within a couple of years. Is that really worth screwing up over 900 issues of continuous publishing?

With that said, this whole debacle presents specific opportunities and sadly dropped balls. Here’s what I picked out from my own views. What about you?

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The Pull List – Week 2, 2011

This week is slim pickings for me. Just grabbed two books. Let me know what you’re reading in the comments below.

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The New Wonder Woman Design and Why I Don’t Hate It

When Wonder Woman #600 hit comic racks last Wednesday, the world witnessed a new costume design for the iconic heroine. Black leggings and a leather jacket were slapped onto the previously revealing outfit, downplaying the heroic colors and trim. It seemed like an awful change to such an iconic look for no other reason than an attention grab. A bit on the arrogant side for incoming writer J. Michael Straczynski to have her redesigned as soon as he gets the book. But then I learned more about what he’s plotting and began to change my mind…

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Favorite in 2009 – Comics

It’s been an eventful year in comic books. 2009 signifies a changing of the guard, of sorts. First Disney begins to buy Marvel Entertainment. Then Warner Bros. restructures DC Comics as DC Entertainment, with Paul Levitz stepping down from president and publisher to contributing editor and overall consultant and Diane Nelson of Warner Premier replacing him as president. These merely cap a decade-long process of comic books firmly becoming a crucial aspect of virtually every other form of entertainment, from film to television to video games and so on.

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